The most prominent Flemish Baroque artist of the seventeenth century, Anthony van Dyck was a prolific painter of portraits of European aristocracy, most notably for Charles I and his family. He also executed religious and mythological works and was a fine draftsman and etcher. Along with his contemporary Diego Velázquez, van Dyck revolutionised the genre of portraiture, elevating its status in…
Today Berthe Morisot is recognised as the first lady of Impressionism, who left behind her an exceptional body of work, including oil paintings, pastels, watercolours, prints, sculptures and several hundred drawings. The only woman to join the "rejected" Impressionists in the first of their exhibitions, she was also a close friend and colleague of Édouard Manet. Her paintings are celebrated fo…
The nineteenth century French painter Gustave Courbet almost single-handedly challenged and subverted the prevailing tastes of High Art, rebelling against the Romantic painting of the day. He turned attention instead to everyday themes and the lives of ordinary men and women, eschewing the age-old subjects of religious and historical art. His enormous canvases shocked the art establishment and …
The leading exponent of the Rococo style, Jean-Honoré Fragonard's paintings are characterised by remarkable facility, exuberance and frivolous hedonism. Regarded as one of the greatest colourists of art history, Fragonard produced stunning artworks that capture the spirit of the final days of the Ancien Régime, conveying intimacy and veiled eroticism. Delphi's Masters of Art Series presents t…
Hokusai, the Japanese master artist and printmaker of the ukiyo-e school, produced a vast array of artworks, including single-sheet prints of landscapes and actors, hand paintings, individual surimonos, erotic books and many more. His famous print series "Thirty-six Views of Mount Fuji" marks the summit in the history of the Japanese landscape print, as epitomised by his world famous design 'Th…
The leading painter of the school of Parma, Correggio created some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. Correggio's masterful use of chiaroscuro would establish his rep…
The founder of the nineteenth century French school of Neo-Impressionism, Georges Seurat devised the technique of Pointillism, portraying the play of light with tiny brushstrokes of contrasting colours. A man of studious habits and a scientific mind, Seurat employed his original technique to create huge compositions with tiny, detached strokes of pure colour too small to be distinguished when l…
Regarded today as one of the greatest artists of the 20th century, the Dutch painter and theoretician Piet Mondrian was an important leader in the rise of modern abstract art. From Hague School landscapes to Post-Impressionist canvases, from Cubist experiments to abstract masterpieces, Mondrian's art developed and reinvented itself to the point of simple geometric elements. His mature paintings…
The great Italian Mannerist painter of the Venetian school, Tintoretto was one of the most important artists of the late Renaissance. Due to his phenomenal energy in painting he was termed 'Il Furioso' and his works are characterised by their muscular figures, dramatic gestures and bold use of perspective. Delphi's Masters of Art Series presents the world's first digital e-Art books, allowing r…
Founder of the Pre-Raphaelite Brotherhood, the English painter Sir John Everett Millais was a principal figure of nineteenth century British art. Along with Rossetti and Holman Hunt, he confronted the art establishment with a daring challenge to ignore 500 years of history and the corrupting influence of Raphael. An extraordinary range of paintings sought a bold return to the abundant detail, i…