Colleges and universities used to teach art history to encourage connoisseurship and acquaint students with the riches of our artistic heritage. But now, as Roger Kimball reveals in this witty and provocative book, the student is less likely to learn about the aesthetics of masterworks than to be told, for instance, that Peter Paul Rubens' great painting Drunken Silenus is an allegory about ana…
The Situationist International were a group of anti-authoritarian, highly cultured, revolutionary artists whose energy and enragement fundamentally shaped the revolutions of the late 1960's, most famously in Paris in May '68. They took on their shoulders the history of the workers' struggle, saw that it had been corrupted by authoritarianism and transformed it, with influences incorporating the…
*Shortlisted for the Bread and Roses Prize, 2016* *Shortlisted for the Green Carnation Prize, 2015* * Shortlisted for the Academy of British Cover Design Awards, 2015* Artwash is an intervention into the unsavoury role of the Big Oil company's sponsorship of the arts in Britain. Based on the high profile campaign 'Liberate Tate', Mel Evans targets Chevron, ExxonMobil, BP and Shell's collaborati…
The politics of Utopia have already produced a rich and varied literature - St. Simon, Buber, Bloch, and many others. Utopian Pulse explores this tradition from the perspective of art practice and asks how we can engage with and contribute to it. This book will be published alongside an exhibition of the same name and will include artwork from the exhibition itself. The work's contributors invo…
From museums and the preservation of old buildings to broader questions of community and identity, heritage is now a political issue. This book explores what heritage means now heritage is big business and how it is used to encourage people to identify with particular places and 'traditions', now it is entangled with capitalism. Examining a range of questions, including the way contemporary soc…
This book is the first comprehensive introduction to Marxist approaches to art history. Although the aesthetic was a crucial part of Marx and Engels's thought, they left no full statement on the arts. Although there is an abundant scholarship on Marxist approaches to literature, the historiography of the visual arts has been largely neglected. This book encompasses a range of influential thinke…
In the aftermath of the 2016 US elections, Brexit, and a global upsurge of nationalist populism, it is evident that the delirium and the crisis of neoliberal capitalism is now the delirium and crisis of liberal democracy and its culture. And though capitalist crisis does not begin within art, art can reflect and amplify its effects, to positive and negative ends. In this follow-up to his influe…
Oil is the lifeblood of modern economics. It is the precious resource at the heart of empire-building, from the British empire to the American empire today and underpins the world's financial markets. But seventy per cent of the world's oil supplies lie under the sands of the Middle East, which begs the question: did the US invade Iraq to grab Iraq's oil? Written by an influential oil consultan…
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues th…
It's the Political Economy, Stupid brings together internationally acclaimed artists and thinkers, including Slavoj Zizek, David Graeber, Judith Butler and Brian Holmes, to focus on the current economic crisis in a sustained and critical manner. In sympathy with the subject matter, the book features powerful original artwork for the cover, and an internal design theme based on the movements of …