This book uses the contradictions, fractures and coincidences of a twentieth-century rural landscape to explore new methods of writing place beyond 'new nature writing'. In doing so it opens up new ways of reading modernist artists and writers such as Vanessa Bell, Mary Butts and Paul Nash.
This book argues for a renewed understanding of the fundamentally uncanny quality of the medium of photography. It especially makes the case for the capacity of certain photographs—precisely through their uncanniness—to contest structures of political and social dominance. The uncanny as a quality that unsettles the perception of home emerges as a symptom of modern and contemporary society …
This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the verbal and the visual across a range of media. They are attentive to how the medialities and (im)materialities of modern image culture inflect our …
This book provides a critical introduction to François Laruelle's writings on photography, with a particular focus on his two most important books on photography: The Concept of Non-Photography and Photo-Fiction, a Non-Standard Aesthetics. By unpacking and contextualising these works, this study provides a useful starting point for students and scholars who want to better understand Laruelle's…
This book presents a critical and aesthetic defence of "non-place" as an act of cultural reclamation. Through the restorative properties of photography, it re-conceptualises the cultural significance of non-place. The non-place is often referred to as "wasteland", and is usually avoided. The sites investigated in this book are located where access and ownership are often ambiguous or in dispute…
This book offers a rare and innovative consideration of an enduring tendency in postwar art to explore places devoid of human agents in the wake of violent encounters. To see the scenery together with the crime elicits a double interrogation, not merely of a physical site but also of its formation as an aesthetic artefact, and ultimately of our own acts of looking and imagining. Closely engagin…
ECHTE PORTRÄTS FOTOGRAFIEREN * Stelle den Menschen in den Fokus * Erzähle mit Porträts Geschichten * Entwickle dich als Fotograf*In weiter Menschen zu porträtieren und ihre Geschichte zu erzählen ist eine Aufgabe, die Wahrnehmung und echtes Interesse am Menschen voraussetzt. Gleichsam erfordert es Kreativität und stellt Fotografierende vor immer neue Herausforderungen. In diesem Buch…
Die Frage, ob die Fotografie zu zeigen und/oder zu beweisen vermag, geht auf Carlo Ginzburg zurück. Im Nachhall seiner Auseinandersetzung mit dem Indizienparadigma als konstitutiver Methode der Kulturwissenschaften führte dieser 1982 aus, dass die Untersuchung der Verbindung von wissenschaftlichen und gerichtlichen Beweisen von Interesse ist – gerade in Hinblick auf die in den Wissenschafte…
LICHTWERKZEUGE WIRKUNGSVOLL EINSETZEN, SELBER BAUEN UND DAMIT SPEKTAKULÄRE LICHTOBJEKTE ERZEUGEN * Neuauflage mit vielen zusätzlichen Techniken und Lichtwerkzeugen für kreative Lightpaintings * Neu: Lightpainting-Workshops mit Feuer und Funkenerzeugern * Neu: Mit Lichtstempeln und Schablonen arbeiten Wagen Sie den Einstieg in die Lichtmalerei und lernen Sie von einem erfahrenen Lightpai…
Abold and exciting exploration of the relationship and interactions between humans, the human landscape and the earth, looking at a diverse range of case studies from the nineteenth-century city to the Asian tsunami and Hurricane Katrina.