Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. Exhibiting Atrocity documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to…
George Villiers, erster Herzog von Buckingham, war als Vertrauter und Günstling gleich zweier englischer Könige – James' I. und seines Sohnes Charles' I. – politisch so einflussreich und umstritten wie im Europa des beginnenden 17. Jahrhunderts sonst vielleicht nur Kardinal Richelieu. Peter Paul Rubens und Anthonis van Dyck erhielten die Aufträge zu einer Folge von Portraits, mit welchen…
Edgar Degas began as a classical painter of genre history scenes and died as one of the greatest and most innovative names in French art—although as with so many other artists, he did not receive a great deal of recognition in his lifetime. Along the way his style changed completely from strict academic formalism to near-abstract scenes of contemporary Parisian life. His primary subject w…
Pictures from the Bronze Age are numerous, vivid and complex. There is no other prehistoric period that has produced such a wide range of images spanning from rock art to figurines to decoration on bronzes and gold. Fourteen papers, with a geographical coverage from Scandinavia to the Iberian Peninsula, examine a wide range of topics reflecting the many forms and expressions of Bronze Age image…
For thousands of years people in all parts of the world have engraved images on rock panels and stones. Images are found on large, earth bound boulders, on smaller, movable stones or on rock panels in burial chambers. A variety of images are conveyed, including people, animals, objects used by humans, abstract patterns and objects unrecognisable to us. In Norway, rock art has been found at more…
As in many other areas in south Scandinavia, the region surrounding the city of Simrishamn in south-east Scania has a great many Bronze Age mounds that are still visible in the landscape, and records from the museums demonstrate that the area is rich in bronze metalwork. Nevertheless, it is the figurative rock art that makes this region stand out as distinct from surrounding areas that lack suc…
Prehistoric imagery is enigmatic and has been largely overlooked by archaeologists; it is only in the last two decades that it has garnered serious academic attention. This volume addresses this lacuna and discusses visual expression across Neolithic Europe. The papers in this volume result from a meeting of the Neolithic Studies Group on the topic of 'Neolithic visual culture' at the British M…
'Early Celtic art' - typified by the iconic shields, swords, torcs and chariot gear we can see in places such as the British Museum - has been studied in isolation from the rest of the evidence from the Iron Age. This book reintegrates the art with the archaeology, placing the finds in the context of our latest ideas about Iron Age and Romano-British society. The contributions move beyond the t…
The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volum…
One of the most influential art collectors of our time and founder of the global advertising agency, Charles Saatchi reveals his opinions on collecting, artists, dealers, advertising and investing in art with unflinching honesty. Famously reclusive, he has answered questions asked to him by journalists, critics and the general public about the art world and his personal life.