The photographic portrait is discussed in a wide context, from general subjects such as the family photograph album and American portrait photography to the work of individual artists like Sander and Stieglitz.
Renaissance Bodies is a unique collection of views on the ways in which the human image has been represented in the arts and literature of English Renaissance society. The subjects discussed range from high art to popular culture – from portraits of Elizabeth I to polemical prints mocking religious fanaticism – and include miniatures, manners, anatomy, drama and architectural patronage. The…
This collection of essays is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore their theoretical and practical consequences. What does it mean for a sculpture to be reproduced? Does it diminish or add to the authenticity and authority of the original? Ranging from the Ancient to the Modern world, and investigating the function of artistic reproductio…
Stoichita's compelling account untangles the history of one of the most enduring challenges to beset Western art - the depiction and meanings of shadows. "discriminating, inspired interrogation... dazzling analysis"—Marina Warner, Tate Magazine "Ambitious and a pleasure to read... a thoroughly worthwhile book."— Times Higher Education Supplement
The popularity of tattoos today is a revival of a practice begun in the late eighteenth century, when Westerners first made contact with the native peoples of the Pacific. The term 'tattoo' entered Europe with the publication of Captain Cook's voyages in the 1770s, and Pacific tattoos became fashionable in the West as sailors, whalers and explorers brought home tattoos from Tahiti, the Marquesa…
With his 95 Theses, Martin Luther advanced the radical notion that all Christians could enjoy a direct, personal relationship with God—shattering years of Catholic tradition and obviating the need for intermediaries like priests and saints between the individual believer and God. The text of the Bible, the Word of God itself, Luther argued, revealed the only true path to salvation—not pries…
During the Renaissance, new ideas progressed alongside new ways of communicating them, and nowhere is this more visible than in the art of this period. In The Sensory World of Italian Renaissance Art, François Quiviger explores the ways in which the senses began to take on a new significance in the art of the sixteenth century. The book discusses the presence and function of sensation in Renai…
Vermeer's Wager stands at the intersection of art history and criticism, philosophy and museology. Using a familiar and celebrated painting by Johannes Vermeer as a case study, Ivan Gaskell explores what it might mean to know and use a work of art. He argues that art history as generally practiced, while successfully asserting certain claims to knowledge, fails to take into account aspects of t…
The French Revolution was marked by a wealth of imagery and visual symbolism that inspired the masses to fight for freedom. Visualizing the Revolution surveys the rich and multifaceted visual culture of the French Revolution, exploring its creation and how it conveyed the new revolutionary sensibilities of the era. Unlike most studies on art of the French Revolution, Visualizing the Revolutio…
Restless, protean, fluid, evanescent—despite being a challenge to represent visually, water has gained a striking significance in the art of the twentieth century. This may be due to the fact that it allows for a range of metaphorical meanings, many of which are particularly appropriate to the modern age. Water is not merely a subject of contemporary art, but also a material increasingly used…