The great, influential cultural critic, Elisabeth Bronfen, sets out in this book a conversation between literature, cinema and visual culture. The crossmappings facilitated in and between these essays address the cultural survival of image formulas involving portraiture and the uncanny relation between the body and its visual representability, the gendering of war, death and the fragility of li…
A fresh, unstuffy guide to the stained-glass windows of England's churches, including a list of the top 50 places to see outstanding examples. The magical qualities of stained glass have an enduring appeal, but church windows tend to be ignored as a form of creative and artistic expression. Yet churches are accessible treasure trove of history, art and craftsmanship. No other set of historic b…
William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to e…
Portraiture as a genre is receiving increased attention at the same time that public curiosity about science is reaching unprecedented levels. Published to coincide with a major exhibition at the National Portrait Gallery, London, from 14 April – 17 September 2000, and the Sainsbury Centre for Visual Arts, University of East Anglia, from 27 September – 10 December 2000, Defining Features br…
"highly entertaining and informative... This is a book worth arguing with, written with verve, wit and passion. It is also lavishly illustrated. I enjoyed every minute of it."— The Spectator "as comprehensive a guide as anyone could wish to the appearances of the Evil One in art and literature throughout the age."— The Herald
Leonardo da Vinci (1452–1519) was one of the preeminent figures of the Italian Renaissance. He was also one of the most paradoxical. He spent an incredible amount of time writing notebooks, perhaps even more time than he ever held a brush, yet at the same time Leonardo was Renaissance culture's most fanatical critic of the word. When Leonardo criticized writing he criticized it as an expert o…
Paint Pouring is a form of abstract art that uses acrylic paints with a runny (fluid) consistency. The acrylic paints react with each other when combined to make interesting and visually organic motifs. Fluid acrylics can be used on many types of substrates through various techniques such as pouring, dripping, swirling, glazing, dipping, and more to create dazzling and masterful effects. This b…
John Tusa has been Managing Director of London's Barbican Centre for more than a decade. In that time, he has been a notable controversialist, speaking up for the need for the arts, defending their achievements and arguing for more funding. This selection of John Tusa's passionately argued, candid and challenging essays on the arts in Britain today is informed by a lifetime's experience of the …
Explaining what art is and what’s not art. What is art? Why do we find some things beautiful but not others? Is it wrong to share MP3s? These are just some of the questions explored by aesthetics, the philosophy of art. In this sweeping introduction, Charles Taliaferro skilfully guides us through different theories of art and beauty, tackling issues such as who owns art and what happens …
Munch's The Scream. Van Gogh's Starry Night. Rodin's The Thinker. Monet’s water lilies. Constable's landscapes. The nineteenth-century gave us a wealth of artistic riches so memorable in their genius that we can picture many of them at an instant. However, at the time their avant-garde nature was the cause of much controversy. Professor Laurie Schneider Adams brings vividly to life the p…